Awhile back I finished this absolute costume of a 1970’s dress, using Simplicity 8920:
I made view 1 over the course of a few weeks, because I kept putting it on the back burner to work on other projects. I’m not sure what I think of the finished dress. I love the pattern and the fabric I chose, it was fun to make something so in your face! But wearing it on the other hand…let’s just say I’ve tried it on a few times, but haven’t been able to bring myself to wear it in earnest just yet. I think what’s killing it for me is unfortunately the massive collar, which kind of overwhelms my petite frame and features. I think I might try this pattern again but make the collar smaller.
The fabric I used for the collar and the band were also a huge problem – the satin did not want to behave. It wouldn’t iron properly no matter what I did or how much time I took working at it and it ended up causing major frustration. Next time I’ll definitely use another fabric. I ended up being so frustrated with how this project was going that it lead to me taking even more breaks from this dress, and then finally rushing to get it finished because by that point, I knew it was a bit of a mess and I probably wasn’t going to wear it. So I didn’t finish it as neatly as I could have or normally would have.
I hemmed the dress before getting mad at it, so the hem is pretty darned good at least! I think I used the wrong kind of elastic for the sleeve, so it ended up being kind of a mess. I had to insert the zipper two or three times, because I kept doing it wrong, and by the time I finally got it in, I had already given up.
Then, joy of joys, when I was about to give it a final press, I dropped my iron, making part of it come loose. I thought I had fixed it, but oh boy, did it ever get messed up on that fall! It pretty much burns and/or melts fabric now no matter what setting I put it on. Time to start looking for a new iron!
This project was a bit of a fail all around, but luckily I had enough projects that were actually going well that it didn’t really get me down or lead to a string of failed projects, as has happened in the past when I’ve lost confidence after a project went wrong. I don’t know what to do with this dress now though. Keep it as a reminder of the project? Hold onto it in case my niece wants to use it for a Halloween costume one day in the far off future? Save it in case I’m ever magically invited to/decide to have a 1970’s costume party? Donate it? I’d appreciate any ideas, because I’m kind of at a loss.
If I’m going to do anything other than keep it in my closet, I definitely need to re-do the buttons, they aren’t evenly spaced out and I should have put the first one up higher on the band. There is a lot of this dress that I would fix and finish better, if I could bring myself to pick it up again, but the more I look at it, the more I dislike it because of that awful satin. I definitely don’t think I’ll be messing with Fabricland’s cheap satin for awhile after this, it ended up letting the entire project down, just as it did with the dress I originally made using it. Polyester satin just might be my new sworn sewing enemy.
On the plus side, I love the main fabric of the dress, which I found at a thrift store, and I love the vintage buttons and zipper I used. Maybe I could fix this wreck by replacing the awful satin with another purple fabric, if I can find something nice that would work. That could at least ease the utter loathing I feel when I look at that damned satin…
Today I wanted to share the third dress I’ve made as part of Operation Sharon Tate, the ongoing project I’ve been collaborating on with my sister, where I’ve been making her late 1960’s and 1970’s clothing.
This dress is yet another muslin/toile, since my sister lives out of town and needs to try these dresses on and have them properly fitted before I can really dive into the projects for real, but I really like it so far.
I used Style 3837 for this dress, and made view 3:
This pattern is from 1972 and is STUNNING. You can find some truly gorgeous Style patterns from the 1970’s and they’re quickly becoming one of my favourite pattern companies for 1970’s patterns. I only wish they were easier to come by!
Since this dress was being made for my sister, once again I took some progress pictures to send her that I’ll include in this post. Including this one of a very real problem I was dealing with while making this dress:
My cat fell in love with this pattern and dress and I kept finding her snuggling up with the dress and pattern pieces or instructions while I was in the process of making the dress. At every single stage of making it, Cali found a way to rub up against, cuddle, paw and sleep on this dress and otherwise infuse it with her love – and fur. Pins be damned, the wanted this dress!
The first progress photos I sent my sister! You can see from the second photo that the front panels were just ever so slightly off, which drove me a little nuts. I almost took the dress apart to try and align them properly, but decided to wait since I might have to alter the dress anyway. I did better on the back of the dress at least! And in the last picture, I had to show off my very nearly invisible hem to my sister (and now the internet), because it’s one of my favourite sewing techniques and it always makes my day when I can come as close to nailing it as possible.
I used elasticated thread for the sleeves, which took a little trial and error to figure out since it was my first time, but my trusty 1960’s Singer 403A got the job done! It certainly isn’t perfect, but I’m pretty pleased with it. I took some close up photos of the inside and outside of the sleeves, complete with the remnants of Cali’s nightly snugglefest with the dress:
Somehow I didn’t photograph the dress once it was finished, probably because we kept having a lot of gloomy, rainy, flood warning filled days where I couldn’t take pictures, but I did take two photos once the sleeves were on, so close enough!
As you can tell, I still haven’t figured out a good set up for taking photos, but I’m hoping to get to it soon, I’ve just been incredibly busy and haven’t had a chance to think about it properly or set anything up. Sorry about that!
I really love this pattern and I hope I’ll be up to the task of making view 1 soon, which involves a lot of yummy shirring and embroidery! I can’t wait to even make this view again! If you come across this pattern and love 1970’s fashion, snap it up! It is SUCH a fabulous pattern!
My sister can’t come down for a visit soon enough! I’m so excited about her trying these dresses on and then re-making them even better for her – on top of just being excited about seeing her and my niece in general! On pins and needles until the summer…
Apologies for disappearing again, I’ve been struggling with ongoing technical difficulties (my laptop hates me, basically, and I can assure you that at this point, the feeling is mutual), but other than that, I’ve been doing a ton of sewing and exploring my new surroundings. Every chance I get, I’m going for walks in my neighborhood, finding new and old stomping grounds and haunting the thrift and antique stores. I’ll do a proper round up of my most recent sewing projects as soon as I can, but since I don’t know if I can trust my laptop, I’m going to just write a quick post today, sharing some of my most recent crafty finds and what I’m currently working on.
On the weekend I went to the fabric flea market, which is an annual event in my city. A mix of local businesses, seamstresses looking to destash and fabulous fabric lovers in general come together to sell anything and everything sewing related. This is only the second time I’ve been and it was the first time I went alone, which was kind of nerve wracking because it tends to be very packed and loud, so it gets intense and overwhelming if you’re an anxious person, but it was worth it. I found some incredible fabric and patterns and only wish I had been able to pick up more of the wonderful fabric!
From top left: 6 meters of 100% cotton, 10 meters 100% cotton, 1 meter African wax print, 1 meter cotton/poly blend, 2.75 meters 100% cotton, 1.3 meters silk, and 2.2 meters cotton.
All in all, I brought home just over 23 meters of fabric, plus a nice little pile of patterns:
The top four patterns are all ones I snagged to sew for myself, and the last four are hopefully future projects for my sisters, though I didn’t realize until I got home that Butterick 6330 is unfortunately the wrong size for any of them. Typically I keep their measurements on my phone just in case I find a nice pattern that might work for one of them, but it was too crowded to pull out my phone at the flea market. Oops. It’s too bad, the pattern is gorgeous.
I also found these two gorgeous children’s patterns:
I don’t know for sure yet if my niece will go for that gorgeous Vogue dress, but I might just make it anyway, because it looks fabulous and involves a lot of really fine techniques and embroidery and I’d love to challenge myself to create something really beautiful with it. I’m currently working on Simplicity 2392, which unfortunately has some confusing instructions. I’m trying to follow them as much as possible, but may just end up winging it a bit. You can’t tell from this terrible photo, but it features embroidery as well, which I’m already rebelling against and instead using a design by one of my incredibly talented sisters. My embroidery isn’t doing her artwork justice, but it’s a joy to try and recreate it for this special piece.
The yoke of the dress and the beautiful piece that inspired this project, by my awesome sister Celia.
I have so much work left to do on this wee dress, but I’m enjoying it, even though the instructions are a bit of a headache. So many teeny tiny seams! I’m the embroidering pockets as well, and will definitely post another picture once the dress is done. So far, even though the instructions can be a bit confusing, I totally recommend this pattern, the little dress is so pretty and it’s really nice to make a dress where you can take the time out to do embroidery. I really love making children’s clothing when I get the chance and am thrilled to have the excuse to try my hand at creating a small beauty like this one.
I have another project on the go as well right now and have many more planned. I finished three or four dresses since I last updated that I’ll have to write about soon. Today I’m off to get a pattern printed because obviously having two projects in the works just isn’t enough! Working on sewing projects with or for my loved ones has been so wonderful and creatively inspiring, and I’ve been finding endless inspiration on my little jaunts around the neighborhood. The clash of history and modernity, colour and sound in my surroundings ignites the old creative spark and I hope I’m able to translate some of it into my sewing.
I hope you’ve all been doing well! I’m crossing my fingers that this misbehaving laptop starts being more reliable from here on out so I can write more.
In my last post, which feels like it was written a million years ago, I mentioned that I was working on a dress for one of my sisters. Well, since I last wrote, I finished the mock up for it and another dress for her and now that my laptop seems to be working again (trying not to even breathe on it in case it decides to freeze again!) I’m finally going to post about them!
In case you’re wondering, the reason this post is titled Operation Sharon Tate is because my sister and I are both huge Sharon Tate fans and what started this dressmaking project was her wish for some Sharon Tate inspired garments. Sharon was always incredibly stylish and would transition effortlessly from mod mini skirts and dresses to casual (yet stunning) hippie chic, so these are the sorts of styles that we have been focusing on.
The first dress was made using Style 2204, from 1978:
I was taking and sending her progress pictures throughout the process of making both of these dresses, which I’m really glad of! The mock up was made using a vintage bed sheet, because that’s how I roll.
She chose view 1 and it was my first time sewing an elasticated sleeve and neckline, so it was interesting to do and much, much easier than I thought. It was also my first time sewing raglan sleeves! Luckily with this pattern, the sleeves were incredibly easy to figure out. Since this dress is just a mock up, I wasn’t using any fancy finishing techniques and was being a bit slapdash about things, but it was only because I knew that I might have to take in or let out seams or adjust the elastic in the neckline, etc, and I wanted to be able to do that easily in the test garment.
Unfortunately my sister lives out of town, so we won’t be able to do any fittings until she comes back for a visit (hopefully in the summer!). I’m itching to make this dress in some really nice fabric for her because I really loved making it. The pattern is great and I know this dress is going to look beautiful on her once it’s in a nice fabric and properly fitted.
The second dress was made using a fabulous pattern she found online, Simplicity 7756, from 1968:
She chose view 3 and since she’s leaning toward wanting this dress made in a sturdier cotton fabric that will hold a nice shape, I tracked down some stiff cotton at the thrift store to bring this dress to life. Unfortunately, merely handling this fabric immediately causes it to wrinkle, and it’s so weirdly stiff that I stabbed myself several times while sewing it, but I carried on for the love of my sister and the project.
Ooof, the wrinkles!!! The lighting! The ridiculous lack of a real set up for taking photos! Unfortunately since I spent my first month in the new place both sick with a brutal sinus infection and injured after the move, I haven’t finished unpacking or set up a proper space for taking photos yet. Ho hum. It’ll happen eventually! I hope you’ll excuse the horrific photos until then.
Originally she wanted the collar to be in the same fabric as the rest of the dress, but once the dress got to the stage it was at in the photos above, I knew that would be a mistake with this fabric because the collar would just blend in and look very plain. I wanted it to really pop in the photos, especially since she won’t be seeing the dress in person for awhile, so I went ahead and used the fabric from the picture with the pattern to make up the collar.
But something was still missing. After seeing how much better it looked with a contrasting collar, I really wanted to add a contrasting sleeve cuff. The pattern didn’t give cuffs as an option, but I knew that if my sister agreed, I could either try my hand at drafting some, or find a pattern in my stash that might include a cuff piece in her size. I spoke with my sister after sending this photo and luckily we were both on the same page and she had been thinking the same thing!
I dug around in my patterns and found another Style pattern in her size: Style 1064 from 1975, which is a blouse pattern that luckily had usable cuffs!
So I cut out the cuffs and got to work immediately. Once the cuffs were finished, I found some pretty vintage pearl buttons from my collection for the cuffs and the front of the dress, sewed them on, inserted the zipper and hemmed the dress!
Yes, it’s still wrinkly AF in these pictures. I’ve since ironed the hell out of it and hung it up safely in my closet to prevent the wrinkle demon from attacking it again.
All I need to do now is figure out the belt!
My sister loves how both of these mock ups have turned out so far and I hope she likes them even more once she’s tried them on and that they fit! It’s been so much fun working on this project with her and I can’t wait for her to try these dresses on so I can get started on the real garments. I love both of these patterns and it’s been really hard to resist the urge to just go ahead and make them both up properly.
We already have a third dress planned that I’ll probably get started on next week! In the meantime, I’ve been working on a dress with a collar that is so 70’s it hurts – Simplicity 8920, from 1970:
I found this pattern in a vintage store and couldn’t resist it, even though it’s one size smaller than I normally take in 70’s patterns. Fingers crossed it will actually fit. This dress is so 70’s and SO Brady Bunch that I’m completely obsessed with it even though I know that the likelihood of it coming out looking like a costume is damn near 100%.
Since it was going to go in that direction anyway, I decided to embrace it and found a sheet at the thrift store that would really bring it home and made it up in it. The timing of making this dress was great, because I’d learned how to sew raglan sleeves with elastic casings from the first dress I made my sister!
This dress is nowhere near finished, as you can see. The purple satin in the third picture was salvaged from a dress I made back in August that was a total fail (and thus, never blogged about), it’s going to be used for the collar, sash and band (if I decide to include it). The raglan sleeves on this pattern were a nightmare compared to my sister’s dress. Like putting together the most confusing puzzle, but I figured it out in the end.
The band, slash and collar are just about ready to either be sewn onto the dress (in the case of the collar and band) or finished (in the case of the very pieced together sash). Once that’s all done, I need to insert the zipper, hem the dress (boy howdy is this dress ever going to be short! The hem is supposed to be about 2 1/2″ but I might change that to an inch or so, because I don’t know how comfortable I am with the length!) and sew the buttons onto the band. I’m going to have to track down some buttons though, I don’t think I have any in my collection that are quite right for this dress.
Though this dress is fun to make and I’m excited to see what it will look like once it’s done, I’m having way more fun sewing for my sister and planning the sewing projects for my other sisters, so I can’t wait to get stuck back into those projects. This one isn’t nearly as important to me, which feels kind of weird to say because I know I should be more excited about this Brady Bunch inspired fever dream of a dress, but I just love collaborating with my sisters on projects so much and I’d forgotten just how much fun it is. It’s been incredibly rewarding and exciting and has made me fall in love with sewing all over again on an even deeper level. Hearing my sister get excited about the progress of the dresses when I would send her pictures and coming up with ideas together, planning fabric and colours and patterns and everything has just been so much fun, I’d happily sew her an entire 1960’s and 70’s wardrobe.
Well, this cursed laptop is demanding that I update it again. Hopefully this update won’t cause the touchpad to freeze and stop working again like last time. Ugh. Never again, Windows, never again. Fingers crossed this time nothing bad will happen and I’ll be able to post again soon – I miss you guys!
I know, it’s been forever since I posted anything! Things were super hectic last month with the preparations for the move and then immediately after moving I came down with a brutal sinus infection that I haven’t been able to shake AND my laptop decided to quit functioning properly after a dumb Windows update. I’m going to try troubleshooting the problem ASAP, once my head has cleared a bit from the sinus infection and I can focus properly, because boy has the infection ever made my thinking cloudy.
I have some exciting projects I’m really itching to blog about, including a dress for one of my sisters that I’m currently making the toile/muslin for. It’s a Style pattern from 1978 (Style 2204) and it will be only the first of a number of dresses I’m going to be making her using patterns from the mid-late 1960’s and the 70’s.
A lot of the big sewing projects I have planned out for the year are for my sisters and I’m really excited about collaborating with them on these garments! It gives me the chance to learn how to fit other women, sew for a variety of body types, plus hopefully do what I’ve wanted to do from the start – create bespoke garments tailored to their individual styles that will (fingers crossed!) fit them beautifully and help them feel like the gorgeous humans they are in these garments and their own skin. Sewing for myself has done so much to help my body image and has had such a powerful impact on the way I see myself and my body that I want to spread that to the people I love the most in the world, so beginning that process is a huge goal of mine this year. I really hope that these first projects for my sisters go well! Wish me luck!
Anyway, hopefully I’ll be back to posting properly soon! I miss everyone and am sorry for kind of dropping off the face of the planet for awhile there! I hope you’ve all been doing well. ❤
Full disclosure: I was given these garments as a gift from Scarlett Willow Shop and only paid for shipping. I was not, however, asked or expected to write this review in exchange for these items, I did so because I wanted to and all opinions expressed in this review are my own honest thoughts and impressions.
Awhile ago on my old blog, I wrote a spotlight piece on Scarlett Willow Shop, one of my absolute favourite shops on Etsy. Well, Ashley, the owner of Scarlett Willow, was incredibly sweet and sent me a wonderful thank you package that I wanted to share with all of you!
Ashley sent me two gorgeous vintage tops and I absolutely love them. They were very well packaged and came wrapped individually in tissue paper and it was so exciting to unwrap them.
This first top appears to have been made by a home seamstress (one of my favourite kinds of vintage garments to find!), as there are no tags (or signs of tags being removed), and I really love it. The voluminous, floaty sleeves are amazing and the top fits really well. The top is in amazing condition and I’m really looking forward to sewing skirts (and eventually a pair of bell bottoms!) to pair with it! I think that this top must have been made in the mid to late 1960’s, and I really love the style, it’s so much fun to wear!!
The second top is a lovely 1960’s yellow pussy bow blouse:
This blouse is amazing and I can’t help but smile when I put it on, I love the bright yellow floral print! I’m already mentally planning skirts I can make to go with it and can’t wait to start sourcing the fabric! I love how this blouse feels both classy and fun with the bright colour and print. It has so many wonderful features, such as the button up sleeve cuffs, the pussy bow, the light gathering at the shoulders…this blouse is just gorgeous!
Both tops are in excellent condition and arrived freshly cleaned, which was really nice! Shipping was really fast, even though Scarlett Willow Shop is based in New York, and I’m in Canada, which was fabulous! I can’t wait to start wearing these on a regular basis, I know they’re both definitely going to become major wardrobe staples! They’ll fit perfectly into the 1960’s-1970’s inspired wardrobe I’ve been building and creating for myself.
Thank you so much, Ashley, for these incredible gifts! I feel so honored to have been given them and to have them in my wardrobe!
You can find Scarlett Willow Shop on Etsy and follow them on their fabulous Instagram account!
I can’t believe January is almost over! I spent the last month doing a fair bit of sewing, and finished up a jacket that I had temporarily abandoned due to buttonhole related anxiety, so I thought I would share the clothes I’ve been making (and finishing) this month and do a bit of a catch up.
While not the most perfect jacket by any stretch of the imagination, this is the first one I’ve ever made and I’m pretty proud of it. I forgot to take a photo of the back, but there is a self fabric tie that you do up in the back and I really like that feature, which makes it doubly silly that I forgot to photograph it!
I made this using McCall’s 4215:
The fabric is a mustard corduroy and I used brown vintage buttons. I started this jacket back in November, I think, but was so intimidated by the permanence of buttonholes even though I’ve sewn them a number of times before, that I put this project on the back burner until a week or so ago when I decided to bite the bullet and finally finish it! I’m really glad I did, because I think this jacket will be fun to wear once the weather finally starts warming up.
I actually used McCall’s 6904 to make two dresses this month because I loved this pattern so much!
Both times I made view B but omitted the faux pockets. I messed up a bit on the sleeves of the first version because I accidentally cut out the pieces for the long sleeved version and had to try and fix it because I didn’t have enough fabric left to re-cut the sleeves, but I still absolutely love this dress and wear it all the time.
I used the same brown vintage buttons that I used for the jacket and this wonderful 100% cotton fabric that I love. I found this in the quilting section, but it’s much softer and more lightweight than typical quilting cotton and works really well for the dress. I love this fabric!
The second version was made using this adorable fabric that I also found in the quilting section, though this one is definitely a heavier weight, but I couldn’t resist those raccoons with their disgruntled little faces!
Unfortunately, the fabric is a little too pale for my skin tone and I think it washes me out a bit, which is really too bad, because it’s a really fun dress and those raccoons never fail to put me in a good mood. I’ve been trying to think of ways that I could still wear it, but don’t know if something like dyeing it a darker colour would completely mess it up and obliterate those adorable raccoons. What do you think? I’d appreciate any advice any of you might have!
And the last big project of the month was made using yet another vintage McCall’s sewing pattern! Wow, I didn’t realize that I’d been on such a McCall’s kick! I really wanted to make a dress inspired by the style of 1960’s and 70’s clothes sold by one of my favourite Etsy shops, ScarlettWillowShop, so for this dress I used McCall’s 4762:
I love Marlo Thomas and That Girl is such a fun show, so I couldn’t resist making this dress! It had been waiting in my pattern stash for the right fabric and as soon as I saw this vintage fabric in the thrift store I knew it would be perfect! I made view B of this pattern, because I knew it was already going to be pretty long on me, since I’m only 5’3″.
I completely lined the dress using a vintage bed sheet, because the main cotton fabric I used for the dress turned out to be kind of rough and scratchy against the skin and I knew it would bother me too much to wear it unlined. Luckily I realized that before I started sewing! This is the first fully lined garment I’ve made and I love that almost every single seam is hidden inside of the lining. I still need to pink the sleeve seams, but I finished the dress yesterday morning and then things got really busy so I didn’t have the time to do it.
I’m posting this last three pictures of me actually wearing the dress mostly in memory of the last truly 60’s/70’s feature left in my 1960’s apartment building – the tiles on my bathroom wall! The cool vintage vibes this place had were what made me sign the lease, but sadly they stripped away all of the old features that made this place so cool years ago when they renovated the common areas of the building.
Speaking of apartments and moving, I looked at an apartment today. I wish I could say that I loved it and will be moving in right away, but it was definitely not for me. The apartment itself was very tiny and very dark, and the small size and darkness made me feel claustrophobic and awful, like being in a small, dark cave. There were other issues with the place too, and I just knew that I wouldn’t be happy there. It’s really too bad because everything outside of the apartment would have been great, but I just couldn’t say yes to a place that made me feel so unhappy. Years ago, I probably would have taken the apartment due to some silly feeling of obligation or low self esteem or a bunch of other nonsense factors, so I’m proud that I was able to realize that it wasn’t right for me and I wouldn’t be happy there, and actually call back and turn it down,. And I’m almost even more proud of the fact that I was able to stand my ground when the manager of the building tried to make me feel bad and like I was making some huge mistake that I was going to regret over the phone.
I know I won’t regret it, I made the right decision for me and I’m really proud that I was able to assert myself and make a choice that was in my own best interest instead of trying to appease someone else out of misplaced guilt. And I know that turning this place down isn’t the end of the world, there will be other (hopefully better!) apartments.
What about you? What have you been sewing lately? Do you having any apartment/house hunting nightmares you’d like to share? Do you know what I could do to make the disgruntled raccoon dress work? I’d love to hear your thoughts in the comments!
A few weeks ago I bought this incredible 1970’s Pantel maxi dress from Zee Vintage Fashion on Etsy and I absolutely love it! It’s as comfortable as a snuggly nightgown, but absolutely gorgeous!
The dress shipped very quickly, was carefully and beautifully packaged, was exactly as described and Zee was really friendly and wonderful to do business with!
Sadly I wasn’t able to find out anything about this designer/brand, but from the other dresses I’ve been able to find of theirs on Etsy and eBay, I really love their style and will definitely be on the hunt for more!
This dress has some really lovely little features, such as the empire waist with light gathering in the front and back and a neat sleeve technique I’ve never seen before – this extra bit of fabric on the inside of the sleeve head which makes the sleeve puff out even more when worn!
I find this detail fascinating and definitely want to try using this technique in one of my own garments someday!
It also has a self fabric belt that you tie up in a bow in the back of the dress that’s really pretty, and a row of lovely orange buttons down the front:
At 5’3″, this dress is floor length on me, which is perfect for the style. This is the kind of dress that makes you want to run around in the grass barefoot with flowers in your hair and I love it!
And speaking of flowers, the fabric is just gorgeous!
I love everything about this dress and I couldn’t be happier with my purchase from Zee, I’d gladly do business with her again and definitely recommend her shop!
Zee Vintage Fashion is based out of Hamilton, Ontario, and can be found on Etsy.
If you are reading this, I’m assuming you know me from my former blog, The Pretty and The Kitsch, so instead of introducing myself I’m going to dive right in to this incredibly geeky inaugural post, which is a tribute to Genesis era Peter Gabriel (and Peter Gabriel era Genesis!)
Why write about Peter Gabriel for my first post? Because honestly, you can’t get much more kitschy and geeky than Peter Gabriel in his Genesis heyday. This dude was such an electric force of weird creative genius and his total commitment to the music was incredible and had a huge impact on me from my late teen years right up until today.
Like David Bowie (another of my heroes), Peter Gabriel would often inhabit characters in his songs and on stage; but while David Bowie’s characters were (mostly) human in one form or another, Peter embodied a completely psychedelic kaleidoscope of characters including everything from flowers to lawnmowers. Yes, lawnmowers! Move over, Ziggy Stardust, the talking lawnmower is here!
The Peter Gabriel character that had the biggest impact on my life has to be Rael, the protagonist of the epic concept album, The Lamb Lies Down on Broadway. That entire album is an incredible journey and deserves it’s own post, so I won’t say anymore on it, except that it is absolutely fantastic and really should have been made into a huge production, like The Who’s Tommy – it definitely deserved it. Released as a double album in 1974, it was sadly to be Peter’s last with Genesis.
While Genesis continued with Phil Collins taking over and Peter went on to have a long and illustrious solo career, in my personal opinion nothing could ever truly top the incredibly creative geeky joy that came out of this fantastic four year period in the band’s history.
Watch out for music. It should come with a health warning. It can be dangerous. It can make you feel so alive, so connected to the people around you, and connected to what you really are inside. And it can make you think that the world should, and could, be a much better place. And just occasionally, it can make you very, very happy.
I’ll end this post with Supper’s Ready, which is astoundingly long, as only Prog Rock could be, clocking in at just over 23 minutes! This is a strange hallucinatory romp that is funny, moving and slightly horrifying, featuring Peter as a flower – because you all knew I couldn’t mention Peter Gabriel playing a flower without sharing it!